[{"command":"insert","method":null,"selector":null,"data":"\u003Cdiv id=\u0027box-1396298578-page\u0027 data-page=\u00270\u0027 data-delta=\u00271396298578\u0027 class=\u0027os-sv-list os_sv_list_box sv-list-biblio sv-list-view-teaser sv-list-layout-list sv-grid-3\u0027\u003E\u003Carticle id=\u0022node-12440\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/ex-voto-i-tatti-caught-uneasiness-during-serenade\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/i_id2119_mw600_1x_0.jpg?m=1772026373\u0026amp;itok=tQynrsIl\u0022 width=\u0022411\u0022 height=\u0022661\u0022 alt=\u0022EX-VOTO for I TATTI: \u0026quot;Caught by Uneasiness During a Serenade\u0026quot;\u0022 title=\u0022EX-VOTO for I TATTI: \u0026quot;Caught by Uneasiness During a Serenade\u0026quot;\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EAlhadeff, Gini\u003C\/span\u003E. 2026. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/ex-voto-i-tatti-caught-uneasiness-during-serenade\u0022  target=\u0022_top\u0022\u003EEX-VOTO for I TATTI: \u0022Caught by Uneasiness During a Serenade\u0022\u003C\/a\u003E\u003C\/span\u003E. Harvard University Press. \u003Ca href=\u0022https:\/\/www.officinalibraria.net\/libro\/9788833673714\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=EX-VOTO+for+I+TATTI%3A+%26quot%3BCaught+by+Uneasiness+During+a+Serenade%26quot%3B\u0026amp;rft.date=2026\u0026amp;rft.aulast=Alhadeff\u0026amp;rft.aufirst=Gini\u0026amp;rft.pub=Harvard+University+Press\u0022\u003E\u003C\/span\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-12196\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/flesh-and-fabric-raiment-passion-crucifixion-pietro-lorenzetti\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/9780674299825.jpeg?m=1729242182\u0026amp;itok=2GIp5z5x\u0022 width=\u00221446\u0022 height=\u00222079\u0022 alt=\u0022Flesh and Fabric: The Raiment of the Passion in a Crucifixion by Pietro Lorenzetti\u0022 title=\u0022Flesh and Fabric: The Raiment of the Passion in a Crucifixion by Pietro Lorenzetti\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EHamburger, Jeffrey F.\u003C\/span\u003E 2024. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/flesh-and-fabric-raiment-passion-crucifixion-pietro-lorenzetti\u0022  target=\u0022_top\u0022\u003EFlesh and Fabric: The Raiment of the Passion in a Crucifixion by Pietro Lorenzetti\u003C\/a\u003E\u003C\/span\u003E. Harvard University Press. \u003Ca href=\u0022https:\/\/www.hup.harvard.edu\/books\/9780674299825\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E \u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/flesh-and-fabric-raiment-passion-crucifixion-pietro-lorenzetti\u0022  class=\u0022biblio-abstract-link toggle\u0022 target=\u0022_top\u0022\u003EAbstract\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=Flesh+and+Fabric%3A+The+Raiment+of+the+Passion+in+a+Crucifixion+by+Pietro+Lorenzetti\u0026amp;rft.date=2024\u0026amp;rft.aulast=Hamburger\u0026amp;rft.aufirst=Jeffrey+F.\u0026amp;rft.pub=Harvard+University+Press\u0022\u003E\u003C\/span\u003E\u003Cdiv class=\u0022biblio-abstract-display os-slider\u0022\u003EAlthough the works of Pietro Lorenzetti (1280\u20131348) rank among the most famous of the fourteenth century, one of his panels, a small Crucifixion, has remained largely overlooked, despite its unique imagery. Combining three temporal horizons\u2014past, present, and eschatological future\u2014within an unparalleled allegorical presentation of the Crucifixion, this panel grants precedence to Clare of Assisi over Francis, founder of the Franciscan Order. Probably created for a nun, Lorenzetti\u2019s painting turns abstruse allegory into a vehicle for a self-conscious meditation on the power of painting itself. In\u00a0\u003Ci\u003EFlesh and Fabric: The Raiment of the Passion in a Crucifixion by Pietro Lorenzetti,\u003C\/i\u003E\u00a0Jeffrey F. Hamburger explores the historical context of this panel as well as the subtleties of Pietro\u2019s painting technique and iconographic imagination, enriching not only our understanding of one of the most innovative artists of the Trecento but also of Italian painting during one of its most generative periods. In addition to an iconographical analysis and historical contextualization of the panel, this volume includes a technical analysis that reveals the subtleties of the painting\u2019s technique and reconstructs its original format, demonstrating that, from the start, this panel was a freestanding devotional image.\u003C\/div\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-11471\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/ulysses-and-limits-dante%E2%80%99s-humanism-ulisse-o-dei-limiti-dell%E2%80%99umanesimo-dantesco\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/lino_pertile_ulysses_0.png?m=1729242182\u0026amp;itok=gUUKhK6M\u0022 width=\u0022694\u0022 height=\u0022946\u0022 alt=\u0022Ulysses and the Limits of Dante\u2019s Humanism \/ Ulisse o dei limiti dell\u2019umanesimo dantesco\u0022 title=\u0022Ulysses and the Limits of Dante\u2019s Humanism \/ Ulisse o dei limiti dell\u2019umanesimo dantesco\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EPertile, Lino\u003C\/span\u003E. 2023. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/ulysses-and-limits-dante%E2%80%99s-humanism-ulisse-o-dei-limiti-dell%E2%80%99umanesimo-dantesco\u0022  target=\u0022_top\u0022\u003EUlysses and the Limits of Dante\u2019s Humanism \/ Ulisse o dei limiti dell\u2019umanesimo dantesco\u003C\/a\u003E\u003C\/span\u003E. Harvard University Press. \u003Ca href=\u0022https:\/\/www.hup.harvard.edu\/catalog.php?isbn=9780674296190\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E \u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/ulysses-and-limits-dante%E2%80%99s-humanism-ulisse-o-dei-limiti-dell%E2%80%99umanesimo-dantesco\u0022  class=\u0022biblio-abstract-link toggle\u0022 target=\u0022_top\u0022\u003EAbstract\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=Ulysses+and+the+Limits+of+Dante%E2%80%99s+Humanism+%2F+Ulisse+o+dei+limiti+dell%E2%80%99umanesimo+dantesco\u0026amp;rft.date=2023\u0026amp;rft.aulast=Pertile\u0026amp;rft.aufirst=Lino\u0026amp;rft.pub=Harvard+University+Press\u0022\u003E\u003C\/span\u003E\u003Cdiv class=\u0022biblio-abstract-display os-slider\u0022\u003EIn his description of Ulysses in Canto XXVI of the\u00a0\u003Ca href=\u0022https:\/\/www.hup.harvard.edu\/catalog.php?isbn=9780674337404\u0022 target=\u0022_top\u0022\u003EInferno\u003C\/a\u003E, Dante subjected the legendary Greek hero to a thoroughgoing revision. The Homeric Ulysses, after ten years of war and a further ten of fabulous adventures throughout the Mediterranean, returns home to Ithaca and resumes his position as son, father, husband, and king of the island. In contrast, Dante\u2019s Ulysses\u2014and that of Tennyson, inspired by Dante and so beloved in America\u2014is an ingenious but profoundly restless character who, in his unceasing quest for knowledge, novelty, and happiness, finds not fulfillment but death. His tragic story embodies the dilemma that human intelligence poses for our civilization today, torn between the endless pursuit of innovation and its ever more catastrophic risks.\u00a0\u003Ci\u003EUlysses and the Limits of Dante\u2019s Humanism \/ Ulisse o dei limiti dell\u2019umanesimo dantesco\u003C\/i\u003E\u00a0offers a bilingual English and Italian examination of that revision.\u003C\/div\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-10276\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/persian-manuscripts-paintings-berenson-collection\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/9780674261242-lg.jpeg?m=1729242182\u0026amp;itok=zaHCe9gD\u0022 width=\u0022569\u0022 height=\u0022680\u0022 alt=\u0022Persian Manuscripts \u0026amp; Paintings from the Berenson Collection\u0022 title=\u0022Persian Manuscripts \u0026amp; Paintings from the Berenson Collection\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EYoltar-Y\u0131ld\u0131r\u0131m, Ay\u015fin, ed.\u003C\/span\u003E 2021. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/persian-manuscripts-paintings-berenson-collection\u0022  target=\u0022_top\u0022\u003EPersian Manuscripts \u0026amp; Paintings from the Berenson Collection\u003C\/a\u003E\u003C\/span\u003E. Harvard University Press. \u003Ca href=\u0022https:\/\/www.hup.harvard.edu\/catalog.php?isbn=9780674261242\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E \u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/persian-manuscripts-paintings-berenson-collection\u0022  class=\u0022biblio-abstract-link toggle\u0022 target=\u0022_top\u0022\u003EAbstract\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=Persian+Manuscripts+%26amp%3B+Paintings+from+the+Berenson+Collection\u0026amp;rft.date=2021\u0026amp;rft.aulast=Yoltar-Y%C4%B1ld%C4%B1r%C4%B1m\u0026amp;rft.aufirst=Ay%C5%9Fin\u0026amp;rft.pub=Harvard+University+Press\u0022\u003E\u003C\/span\u003E\u003Cdiv class=\u0022biblio-abstract-display os-slider\u0022\u003E\u003Cp\u003E\n\t\u003Ci\u003EPersian Manuscripts \u0026amp; Paintings from the Berenson Collection\u003C\/i\u003E\u00a0presents an in-depth analysis of the little-known Persian manuscripts and paintings collected by the world-renowned art historian, art critic, and connoisseur Bernard Berenson (1865\u20131959). It focuses on three manuscripts and four detached folios (containing over fifty paintings) from the fourteenth to the seventeenth century produced in Iran and Central Asia (with a later addition in Mughal India).\n\u003C\/p\u003E\n\n\u003Cp\u003E\n\tFourteen essays are written by an international team of specialists in art history, Persian literature, statistics, conservation, and conservation science. The first two essays introduce Berenson\u2019s collecting of these art works as an individual and as a trend among other collectors. The rest of the essays explain individual works of art. The Timurid\u00a0\u003Ci\u003ERasa\u02beil\u003C\/i\u003E\u00a0and the Safavid manuscripts\u00a0\u003Ci\u003EShahnama\u003C\/i\u003E\u00a0of Firdawsi and\u00a0\u003Ci\u003EFarhad va Shirin\u003C\/i\u003E\u00a0of Vahshi are examined in groups of essays ranging from art historical to literary, statistical, and codicological analysis. The detached folios studied as single essays originate from the famous Great Mongol\u00a0\u003Ci\u003EShahnama\u003C\/i\u003E; the 1436 Timurid\u00a0\u003Ci\u003EZafarnama\u003C\/i\u003E\u00a0of Sharaf al-Din \u02bfAli Yazdi; a Turkman\u00a0\u003Ci\u003EShahnama\u003C\/i\u003E; and the dispersed\u00a0\u003Ci\u003EImperial Mughal Album\u003C\/i\u003E\u00a0also known as the Minto, Wantage, and Kevorkian albums. The appendix refers to the materials and techniques of the paintings in the volume.\n\u003C\/p\u003E\n\u003C\/div\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-9281\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/food-social-politics-and-order-nature-renaissance-italy\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/9780674244085-lg.jpg?m=1729242182\u0026amp;itok=uBBComJc\u0022 width=\u0022499\u0022 height=\u0022680\u0022 alt=\u0022Food, Social Politics and the Order of Nature in Renaissance Italy\u0022 title=\u0022Food, Social Politics and the Order of Nature in Renaissance Italy\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EGrieco, Allen J.\u003C\/span\u003E 2020. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/food-social-politics-and-order-nature-renaissance-italy\u0022  target=\u0022_top\u0022\u003EFood, Social Politics and the Order of Nature in Renaissance Italy\u003C\/a\u003E\u003C\/span\u003E. Harvard University Press. \u003Ca href=\u0022https:\/\/www.hup.harvard.edu\/catalog.php?isbn=9780674244085\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E \u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/food-social-politics-and-order-nature-renaissance-italy\u0022  class=\u0022biblio-abstract-link toggle\u0022 target=\u0022_top\u0022\u003EAbstract\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=Food%2C+Social+Politics+and+the+Order+of+Nature+in+Renaissance+Italy\u0026amp;rft.date=2020\u0026amp;rft.aulast=Grieco\u0026amp;rft.aufirst=Allen+J.\u0026amp;rft.pub=Harvard+University+Press\u0022\u003E\u003C\/span\u003E\u003Cdiv class=\u0022biblio-abstract-display os-slider\u0022\u003EThe act of eating is a basic human need. Yet in all societies, quotidian choices regarding food and its consumption reveal deeply rooted shared cultural conventions. Food goes beyond issues relating to biological needs and nutrition or production and commerce; it also reveals social and cultural criteria that determine what dishes are prepared on what occasions, and it unveils the politics of the table via the rituals associated with different meals. This book approaches the history of food in Late Medieval and Renaissance Italy through an interdisciplinary prism of sources ranging from correspondence, literature (both high and low), and medical and dietary treatises to cosmographic theory and iconographic evidence. Using a variety of analytical methods and theoretical approaches, it moves food studies firmly into the arena of Late Medieval and Renaissance history, providing an essential key to deciphering the material and metaphorical complexity of this period in European, and especially Italian, history.\u003C\/div\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-7371\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/san-lorenzo-florentine-church-1\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/1_001.jpg?m=1729242182\u0026amp;itok=Zjrzqx0z\u0022 width=\u00221266\u0022 height=\u00221620\u0022 alt=\u0022San Lorenzo: A Florentine Church\u0022 title=\u0022San Lorenzo: A Florentine Church\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EGaston, Robert W., and Louis A.  Waldman, ed.\u003C\/span\u003E 2017. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/san-lorenzo-florentine-church-1\u0022  target=\u0022_top\u0022\u003ESan Lorenzo: A Florentine Church\u003C\/a\u003E\u003C\/span\u003E. \u003Ca href=\u0022http:\/\/www.hup.harvard.edu\/catalog.php?isbn=9780674975675\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E \u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/san-lorenzo-florentine-church-1\u0022  class=\u0022biblio-abstract-link toggle\u0022 target=\u0022_top\u0022\u003EAbstract\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=San+Lorenzo%3A+A+Florentine+Church\u0026amp;rft.date=2017\u0026amp;rft.aulast=Gaston\u0026amp;rft.aufirst=Robert+W.\u0022\u003E\u003C\/span\u003E\u003Cdiv class=\u0022biblio-abstract-display os-slider\u0022\u003E\u003Cp\u003E\n\t\u003Cspan\u003EThis comprehensive, interdisciplinary collection illuminates many previously unexplored aspects of the Basilica of San Lorenzo\u2019s history, extending from its Early Christian foundation to the modern era. Brunelleschi\u2019s rebuilt Basilica, the center of liturgical patronage of the Medici and their grand-ducal successors until the nineteenth century, is today one of the most frequently studied churches in Florence. Modern research has tended, however, to focus on the remarkable art and architecture from ca. 1400\u20131600. In this wide-ranging collection, scholars investigate: the urban setting of the church and its parish; San Lorenzo\u2019s relations with other ecclesiastical institutions; the genesis of individual major buildings of the complex and their decorations; the clergy, chapels and altars; the chapter\u2019s administration and financial structure; lay and clerical patronage; devotional furnishings, music, illuminated liturgical manuscripts, and preaching; as well as the annual or ephemeral festal practices on the site. Each contribution offers a profound exploration of its topic, wide-ranging in its chronological scope. One encounters here fresh archival research, the publication of relevant documents, and critical assessments of the historiography. San Lorenzo is represented in this volume as a living Florentine institution, continually reshaped by complex historical forces.\u003C\/span\u003E\n\u003C\/p\u003E\n\u003C\/div\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-981\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/catalogue-european-paintings\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/9788897737636-04-1.jpg?m=1729242182\u0026amp;itok=rCiRkOb2\u0022 width=\u0022820\u0022 height=\u00221000\u0022 alt=\u0022The Bernard and Mary Berenson Collection of European Paintings at I Tatti\u0022 title=\u0022The Bernard and Mary Berenson Collection of European Paintings at I Tatti\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EStrehlke, Carl Brandon, and Machtelt Br\u00fcggen  Isra\u00ebls\u003C\/span\u003E. 2015. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/catalogue-european-paintings\u0022  target=\u0022_top\u0022\u003EThe Bernard and Mary Berenson Collection of European Paintings at I Tatti\u003C\/a\u003E\u003C\/span\u003E. \u003Ca href=\u0022http:\/\/www.accdistribution.com\/us\/store\/pv\/9788897737636\/the-bernard-and-mary-berenson-collection-of-european-paintings-at-i-tatti\/carl-brandon-strehlke-machtelt-brueggen-israels?layout=popup\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E \u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/catalogue-european-paintings\u0022  class=\u0022biblio-abstract-link toggle\u0022 target=\u0022_top\u0022\u003EAbstract\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=The+Bernard+and+Mary+Berenson+Collection+of+European+Paintings+at+I+Tatti\u0026amp;rft.date=2015\u0026amp;rft.aulast=Strehlke\u0026amp;rft.aufirst=Carl+Brandon\u0026amp;rft.au=Isra%C3%ABls%2C+Machtelt+Br%C3%BCggen\u0022\u003E\u003C\/span\u003E\u003Cdiv class=\u0022biblio-abstract-display os-slider\u0022\u003E\u003Cp\u003E\n\tThe Bernard and Mary Berenson Collection of European Paintings at I\u00a0Tatti surveys the 149 works assembled by the Berensons for their home in Florence from the late 1890s through the first decades of the twentieth century at the time that they were making their mark on the world as connoisseurs. The catalogue presents a privileged window on the Berensons\u0027 intellectual interests through the objects they owned. The entries, written by an international team of art historians, take full advantage of the extensive correspondence from the Berensons\u0027 friends, family, and colleagues at I\u00a0Tatti as well as the couple\u0027s diaries and notations on the backs of their vast gathering of photographs. All the entries are lavishly illustrated with full scholarly and technical accountings of the objects. There are also 17 illustrated reconstructions of the original contexts of panel paintings. The catalogue includes essays on the progress of the Berensons\u0027 collecting, their love for Siena, the Sienese forger Icilio Federico Joni, the critic Roger Fry, and Ren\u00e9 Piot\u0027s murals at I\u00a0Tatti, as well as a listing of 94 pictures that were once at I\u00a0Tatti including donations made to museums in Europe and America.\n\u003C\/p\u003E\n\n\u003Cp\u003E\n\tFor the complete index, click \u003Ca href=\u0022https:\/\/officinalibraria.net\/wp-content\/uploads\/2021\/02\/bb-general-index.pdf\u0022 target=\u0022_blank\u0022 title=\u0022\u0022 target=\u0022_top\u0022\u003Ehere\u003C\/a\u003E.\n\u003C\/p\u003E\n\u003C\/div\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-951\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/princely-ambition-and-republican-heritage-under-early-medici-%C2%A0comparative\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/9780674088443-lg.jpg?m=1729242182\u0026amp;itok=q1MTJlBn\u0022 width=\u0022476\u0022 height=\u0022680\u0022 alt=\u0022The Medici: Citizens and Masters\u0022 title=\u0022The Medici: Citizens and Masters\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EBlack, Robert, and John  Law, ed.\u003C\/span\u003E 2015. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/princely-ambition-and-republican-heritage-under-early-medici-%C2%A0comparative\u0022  target=\u0022_top\u0022\u003EThe Medici: Citizens and Masters\u003C\/a\u003E\u003C\/span\u003E. \u003Ca href=\u0022http:\/\/www.hup.harvard.edu\/catalog.php?isbn=9780674088443\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E \u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/princely-ambition-and-republican-heritage-under-early-medici-%C2%A0comparative\u0022  class=\u0022biblio-abstract-link toggle\u0022 target=\u0022_top\u0022\u003EAbstract\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=The+Medici%3A+Citizens+and+Masters\u0026amp;rft.date=2015\u0026amp;rft.aulast=Black\u0026amp;rft.aufirst=Robert\u0022\u003E\u003C\/span\u003E\u003Cdiv class=\u0022biblio-abstract-display os-slider\u0022\u003E\u003Cp\u003E\n\tThe Medici controlled fifteenth-century Florence. Other Italian rulers treated Lorenzo the Magnificent (1449-1492) as an equal. To his close associates he was \u0022the boss\u0022 (\u0022master of the workshop\u0022). But Lorenzo liked to say he was just another Florentine citizen. Were the Medici like the kings, princes and despots of contemporary Italy?\u00a0 Or were they just powerful citizens? This book takes a novel, comparative approach.\u00a0 It sets Medici rule against princely states such as Milan and Ferrara. It asks how much the Medici changed Florence and contrasts their supremacy with earlier Florentine regimes. The contributors take diverse angles, focusing on politics, political thought, social history, economic policy, religion, the church, humanism, intellectual history, Italian literature, theater, festivals, music, imagery, iconography, architecture, historiography, and marriage.\u00a0This book is perfect for students of\u00a0 History, Renaissance Studies, Italian Literature, Art History or anyone keen to learn about one of history\u0027s most colorful, influential and puzzling families\n\u003C\/p\u003E\n\u003C\/div\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-2351\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/bernard-berenson-formation-and-heritage\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/9780674427853-lg.jpg?m=1729242182\u0026amp;itok=HP8vT4gA\u0022 width=\u0022475\u0022 height=\u0022680\u0022 alt=\u0022Bernard Berenson: Formation and Heritage\u0022 title=\u0022Bernard Berenson: Formation and Heritage\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EConnors, Joseph, and Louis A.  Waldman, ed.\u003C\/span\u003E 2014. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/bernard-berenson-formation-and-heritage\u0022  target=\u0022_top\u0022\u003EBernard Berenson: Formation and Heritage\u003C\/a\u003E\u003C\/span\u003E. Villa I Tatti, 440. \u003Ca href=\u0022http:\/\/www.hup.harvard.edu\/catalog.php?isbn=9780674427853\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E \u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/bernard-berenson-formation-and-heritage\u0022  class=\u0022biblio-abstract-link toggle\u0022 target=\u0022_top\u0022\u003EAbstract\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=Bernard+Berenson%3A+Formation+and+Heritage\u0026amp;rft.date=2014\u0026amp;rft.tpages=440\u0026amp;rft.aulast=Connors\u0026amp;rft.aufirst=Joseph\u0026amp;rft.pub=Villa+I+Tatti\u0022\u003E\u003C\/span\u003E\u003Cdiv class=\u0022field field-name-field-upload field-type-file field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cspan class=\u0022file\u0022\u003E\u003Cimg class=\u0022file-icon\u0022 alt=\u0022\u0022 src=\u0022\/profiles\/openscholar\/modules\/os\/modules\/os_files\/icons\/application-pdf.svg\u0022 \/\u003E \u003Ca href=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/itatti\/files\/tls_berenson.pdf\u0022  type=\u0022application\/pdf; length=94298\u0022 target=\u0022_top\u0022\u003ETLS Review (Times Literary Supplement, 29 October 2014)\u003C\/a\u003E\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022biblio-abstract-display os-slider\u0022\u003EBernard Berenson (1865\u20131959) put the connoisseurship of Renaissance art on a firm footing in the late nineteenth and early twentieth centuries. His monument is the library and collection of Italian painting, Islamic miniatures, and Asian art at Villa I Tatti in Florence. The authors in this collection of essays explore the intellectual world in which Berenson was formed and to which he contributed. Some essays consider his friendship with William James and the background of perceptual psychology that underlay his concept of \u201ctactile values.\u201d Others examine Berenson\u2019s relationships with a variety of cultural figures, ranging from the German-born connoisseur Jean Paul Richter, the German art historian Aby Warburg, the Boston collector Isabella Stewart Gardner, and the American medievalist Arthur Kingsley Porter to the African-American dance icon Katherine Dunham, as well as with Kenneth Clark, Otto Gutekunst, Archer Huntington, Paul Sachs, and Umberto Morra.\u003C\/div\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-320\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/birth-platonic-theology-villa-i-tatti-series-30\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/1_004.jpg?m=1729242182\u0026amp;itok=P5LFu5li\u0022 width=\u00221130\u0022 height=\u00221620\u0022 alt=\u0022The Rebirth of Platonic Theology\u0022 title=\u0022The Rebirth of Platonic Theology\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EHankins, James, and Fabrizio  Meroi, ed.\u003C\/span\u003E 2013. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/birth-platonic-theology-villa-i-tatti-series-30\u0022  target=\u0022_top\u0022\u003EThe Rebirth of Platonic Theology\u003C\/a\u003E\u003C\/span\u003E. Florence: Leo S. Olschki. \u003Ca href=\u0022http:\/\/www.olschki.it\/libro\/9788822262264\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=The+Rebirth+of+Platonic+Theology\u0026amp;rft.date=2013\u0026amp;rft.aulast=Hankins\u0026amp;rft.aufirst=James\u0026amp;rft.pub=Leo+S.+Olschki\u0026amp;rft.place=Florence\u0022\u003E\u003C\/span\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-323\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/renaissance-studies-honor-joseph-connors-villa-i-tatti-series-29\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/renaissance_studies_in_honor_of_joseph_connors.jpg?m=1729242182\u0026amp;itok=f9eD7pap\u0022 width=\u0022473\u0022 height=\u0022680\u0022 alt=\u0022Renaissance Studies in Honor of Joseph Connors\u0022 title=\u0022Renaissance Studies in Honor of Joseph Connors\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EIsra\u00ebls, Machtelt, and Louis A Waldman, ed.\u003C\/span\u003E 2013. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/renaissance-studies-honor-joseph-connors-villa-i-tatti-series-29\u0022  target=\u0022_top\u0022\u003ERenaissance Studies in Honor of Joseph Connors\u003C\/a\u003E\u003C\/span\u003E. \u003Ca href=\u0022http:\/\/www.hup.harvard.edu\/catalog.php?isbn=9780674073272\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=Renaissance+Studies+in+Honor+of+Joseph+Connors\u0026amp;rft.date=2013\u0026amp;rft.aulast=Isra%C3%ABls\u0026amp;rft.aufirst=Machtelt\u0022\u003E\u003C\/span\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-331\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/colors-between-two-worlds-florentine-codex-bernardino-de-sahag%C3%BAn-villa-i-tatti\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/colors_between_two_worlds.jpg?m=1729242182\u0026amp;itok=K24ZfnsA\u0022 width=\u0022359\u0022 height=\u0022500\u0022 alt=\u0022Colors Between Two Worlds: The Florentine Codex of Bernardino de Sahag\u00fan\u0022 title=\u0022Colors Between Two Worlds: The Florentine Codex of Bernardino de Sahag\u00fan\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EWolf, Gerhard, Joseph  Connors, and Louis A Waldman, ed.\u003C\/span\u003E 2012. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/colors-between-two-worlds-florentine-codex-bernardino-de-sahag%C3%BAn-villa-i-tatti\u0022  target=\u0022_top\u0022\u003EColors Between Two Worlds: The Florentine Codex of Bernardino de Sahag\u00fan\u003C\/a\u003E\u003C\/span\u003E. Florence: Villa I Tatti.\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=Colors+Between+Two+Worlds%3A+The+Florentine+Codex+of+Bernardino+de+Sahag%C3%BAn\u0026amp;rft.date=2012\u0026amp;rft.aulast=Wolf\u0026amp;rft.aufirst=Gerhard\u0026amp;rft.pub=Villa+I+Tatti\u0026amp;rft.place=Florence\u0022\u003E\u003C\/span\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-313\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/italy-and-hungary-humanism-and-art-early-renaissance-villa-i-tatti-series-27\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/italy_and_hungary-_humanism_and_art_in_the_early_renaissance.jpg?m=1729242182\u0026amp;itok=8n4jc6RV\u0022 width=\u0022491\u0022 height=\u0022680\u0022 alt=\u0022Italy and Hungary: Humanism and Art in the Early Renaissance\u0022 title=\u0022Italy and Hungary: Humanism and Art in the Early Renaissance\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EFarbaky, Peter, and Louis A Waldman, ed.\u003C\/span\u003E 2011. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/italy-and-hungary-humanism-and-art-early-renaissance-villa-i-tatti-series-27\u0022  target=\u0022_top\u0022\u003EItaly and Hungary: Humanism and Art in the Early Renaissance\u003C\/a\u003E\u003C\/span\u003E. Florence: Villa I Tatti. \u003Ca href=\u0022http:\/\/www.hup.harvard.edu\/catalog.php?isbn=9780674063464\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=%26lt%3Bp%26gt%3BItaly+and+Hungary%3A+Humanism+and+Art+in+the+Early+Renaissance%26lt%3B%2Fp%26gt%3B\u0026amp;rft.date=2011\u0026amp;rft.aulast=Farbaky\u0026amp;rft.aufirst=Peter\u0026amp;rft.pub=Villa+I+Tatti\u0026amp;rft.place=Florence\u0022\u003E\u003C\/span\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-322\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/renaissance-studies-honor-joseph-connors-toward-festschrift%C2%A0\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/1_007.jpg?m=1729242182\u0026amp;itok=5RRHnvg9\u0022 width=\u00221143\u0022 height=\u00221620\u0022 alt=\u0022Renaissance studies in honor of Joseph Connors: toward a Festschrift\u0022 title=\u0022Renaissance studies in honor of Joseph Connors: toward a Festschrift\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EIsra\u00ebls, Machtelt, and Louis A.  Waldman, ed.\u003C\/span\u003E 2010. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/renaissance-studies-honor-joseph-connors-toward-festschrift%C2%A0\u0022  target=\u0022_top\u0022\u003ERenaissance studies in honor of Joseph Connors: toward a Festschrift\u003C\/a\u003E\u003C\/span\u003E. Florence: Leo S. Olschki. \u003Ca href=\u0022http:\/\/books.google.it\/books?id=jz9ISwAACAAJ\u0026amp;hl=da\u0026amp;source=gbs_ViewAPI\u0026amp;redir_esc=y\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=Renaissance+studies+in+honor+of+Joseph+Connors%3A+toward+a+Festschrift\u0026amp;rft.date=2010\u0026amp;rft.aulast=Isra%C3%ABls\u0026amp;rft.aufirst=Machtelt\u0026amp;rft.pub=Leo+S.+Olschki\u0026amp;rft.place=Florence\u0022\u003E\u003C\/span\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-312\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/craig-hugh-smyth-memoriam-villa-i-tatti-series-26\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/1_006_2.jpg?m=1729242182\u0026amp;itok=gnusNoPa\u0022 width=\u00221155\u0022 height=\u00221620\u0022 alt=\u0022Craig Hugh Smyth--In Memoriam\u0022 title=\u0022Craig Hugh Smyth--In Memoriam\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EElam, Caroline, and Louis A.  Waldman, ed.\u003C\/span\u003E 2010. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/craig-hugh-smyth-memoriam-villa-i-tatti-series-26\u0022  target=\u0022_top\u0022\u003ECraig Hugh Smyth--In Memoriam\u003C\/a\u003E\u003C\/span\u003E. Florence: Leo S. Olschki. \u003Ca href=\u0022http:\/\/www.olschki.it\/cgi-bin\/olscq2.pl?num=1069\u0026amp;lang=it\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=Craig+Hugh+Smyth--In+Memoriam\u0026amp;rft.date=2010\u0026amp;rft.aulast=Elam\u0026amp;rft.aufirst=Caroline\u0026amp;rft.pub=Leo+S.+Olschki\u0026amp;rft.place=Florence\u0022\u003E\u003C\/span\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-321\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/sassetta-borgo-san-sepolcro-altarpiece-villa-i-tatti-series-25\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/sassetta-_the_borgo_san_sepolcro_altarpiece.jpg?m=1729242182\u0026amp;itok=R7Q8ZPOb\u0022 width=\u0022518\u0022 height=\u0022680\u0022 alt=\u0022Sassetta: The Borgo San Sepolcro Altarpiece\u0022 title=\u0022Sassetta: The Borgo San Sepolcro Altarpiece\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EIsra\u00ebls, Machtelt, ed.\u003C\/span\u003E 2009. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/sassetta-borgo-san-sepolcro-altarpiece-villa-i-tatti-series-25\u0022  target=\u0022_top\u0022\u003ESassetta: The Borgo San Sepolcro Altarpiece\u003C\/a\u003E\u003C\/span\u003E. Florence: Villa I Tatti. \u003Ca href=\u0022http:\/\/www.hup.harvard.edu\/catalog.php?isbn=9780674035232\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=%26lt%3Bp%26gt%3BSassetta%3A+The+Borgo+San+Sepolcro+Altarpiece%26lt%3B%2Fp%26gt%3B\u0026amp;rft.date=2009\u0026amp;rft.aulast=Isra%C3%ABls\u0026amp;rft.aufirst=Machtelt\u0026amp;rft.pub=Villa+I+Tatti\u0026amp;rft.place=Florence\u0022\u003E\u003C\/span\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-314\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/arnolfos-moment-acts-international-conference-florence-villa-i-tatti-may-26-27\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/81dpqoeij7l.jpg?m=1729242182\u0026amp;itok=8ebDqCC_\u0022 width=\u00221175\u0022 height=\u00221646\u0022 alt=\u0022Arnolfo\u0026#039;s Moment: Acts of an International Conference (Florence, Villa I Tatti, May 26-27, 2005)\u0022 title=\u0022Arnolfo\u0026#039;s Moment: Acts of an International Conference (Florence, Villa I Tatti, May 26-27, 2005)\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EFriedman, David, Julian  Gardner, and Margaret  Haines, ed.\u003C\/span\u003E 2009. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/arnolfos-moment-acts-international-conference-florence-villa-i-tatti-may-26-27\u0022  target=\u0022_top\u0022\u003EArnolfo\u0027s Moment: Acts of an International Conference (Florence, Villa I Tatti, May 26-27, 2005)\u003C\/a\u003E\u003C\/span\u003E. Florence: Leo S. Olschki. \u003Ca href=\u0022http:\/\/www.olschki.it\/Prosp\/SP\/2008\/58205.pdf\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=Arnolfo%26%23039%3Bs+Moment%3A+Acts+of+an+International+Conference+%28Florence%2C+Villa+I+Tatti%2C+May+26-27%2C+2005%29\u0026amp;rft.date=2009\u0026amp;rft.aulast=Friedman\u0026amp;rft.aufirst=David\u0026amp;rft.pub=Leo+S.+Olschki\u0026amp;rft.place=Florence\u0022\u003E\u003C\/span\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-307\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/%C2%A0memory-and-invention-medieval-and-renaissance-literature-art-and-music-villa-i\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/1_005_2.jpg?m=1729242182\u0026amp;itok=GaZMSOXJ\u0022 width=\u00221147\u0022 height=\u00221620\u0022 alt=\u0022Memory and Invention: Medieval and Renaissance Literature, Art and Music\u0022 title=\u0022Memory and Invention: Medieval and Renaissance Literature, Art and Music\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EBusse, Anna Maria Berger, and Massimiliano  Rossi, ed.\u003C\/span\u003E 2009. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/%C2%A0memory-and-invention-medieval-and-renaissance-literature-art-and-music-villa-i\u0022  target=\u0022_top\u0022\u003EMemory and Invention: Medieval and Renaissance Literature, Art and Music\u003C\/a\u003E\u003C\/span\u003E. Florence: Leo S. Olschki. \u003Ca href=\u0022http:\/\/www.olschki.it\/cgi-bin\/olscq2.pl?num=2600\u0026amp;lang=it\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=Memory+and+Invention%3A+Medieval+and+Renaissance+Literature%2C+Art+and+Music\u0026amp;rft.date=2009\u0026amp;rft.aulast=Busse\u0026amp;rft.aufirst=Anna+Maria+Berger\u0026amp;rft.pub=Leo+S.+Olschki\u0026amp;rft.place=Florence\u0022\u003E\u003C\/span\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-311\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/brancacci-chapel-form-function-and-setting-villa-i-tatti-series-22\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/the_brancacci_chapel-_form_function_and_setting.jpeg?m=1729242182\u0026amp;itok=H2hCA4BF\u0022 width=\u0022357\u0022 height=\u0022500\u0022 alt=\u0022The Brancacci Chapel: Form, Function and Setting\u0022 title=\u0022The Brancacci Chapel: Form, Function and Setting\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EEckstein, Nicholas A, ed.\u003C\/span\u003E 2007. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/brancacci-chapel-form-function-and-setting-villa-i-tatti-series-22\u0022  target=\u0022_top\u0022\u003EThe Brancacci Chapel: Form, Function and Setting\u003C\/a\u003E\u003C\/span\u003E. Florence: Leo S. Olschki. \u003Ca href=\u0022http:\/\/www.olschki.it\/Prosp\/SP\/2006\/56508.pdf\u0022  target=\u0022_top\u0022\u003EPublisher\u0026#039;s Version\u003C\/a\u003E\u003C\/div\u003E\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=%26lt%3Bp%26gt%3BThe+Brancacci+Chapel%3A+Form%2C+Function+and+Setting%26lt%3B%2Fp%26gt%3B\u0026amp;rft.date=2007\u0026amp;rft.aulast=Eckstein\u0026amp;rft.aufirst=Nicholas\u0026amp;rft.pub=Leo+S.+Olschki\u0026amp;rft.place=Florence\u0022\u003E\u003C\/span\u003E  \u003C\/div\u003E\n\n  \n  \n  \u003C\/article\u003E\n\u003Carticle id=\u0022node-326\u0022 class=\u0022node node-biblio node-teaser article clearfix\u0022 role=\u0022article\u0022 target=\u0022_top\u0022\u003E\n  \n  \n  \n  \u003Cdiv class=\u0022node-content\u0022 ng-non-bindable=\u0022\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-biblio-image field-type-image field-label-hidden view-mode-teaser\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cfigure class=\u0022clearfix field-item even\u0022\u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/nicolai-rubinstein-%E2%80%93-memoriam-villa-i-tatti-series-21\u0022  target=\u0022_top\u0022\u003E\u003Cimg class=\u0022image-style-book-cover-thumb\u0022 src=\u0022https:\/\/itatti.harvard.edu\/sites\/default\/files\/styles\/book_cover_thumb\/public\/itatti\/files\/717lgciqw8l.jpg?m=1729242182\u0026amp;itok=5JkW1jkN\u0022 width=\u00221074\u0022 height=\u00221560\u0022 alt=\u0022Nicolai Rubinstein \u2013 In Memoriam\u0022 title=\u0022Nicolai Rubinstein \u2013 In Memoriam\u0022 \/\u003E\u003C\/a\u003E\u003C\/figure\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022bib-neg-indent\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003EKent, F.W, ed.\u003C\/span\u003E 2005. \u003Cspan class=\u0022biblio-title\u0022style=\u0022font-style: italic;\u0022 \u003E\u003Ca href=\u0022https:\/\/itatti.harvard.edu\/publications\/nicolai-rubinstein-%E2%80%93-memoriam-villa-i-tatti-series-21\u0022  target=\u0022_top\u0022\u003ENicolai Rubinstein \u2013 In Memoriam\u003C\/a\u003E\u003C\/span\u003E. Florence: Leo S. 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