Speaker: Philippe Canguilhem (I Tatti / University of Toulouse)... Read more about Thursday Seminar: Bronzino's "Cosimo de Medici as Orpheus" revisited

Speaker: Suzanne Marchand (I Tatti / Louisiana State University)... Read more about Thursday Seminar: "Porcelain: Another Kind of Classical Education"

Speaker: Jérémie Koering (Centre André Chastel)... Read more about Seminar: From Eye to Mouth: on Edible Images in the Renaissance

Speaker: Thomas Gruber (I Tatti)... Read more about A Scholar’s Library is a Scholars’ Trap: Ramon Sibiuda’s “Science of Man”, Nicolas of Cusa’s Library, and the Materiality of (Non)Reception

Speaker: Alexei Lidov (I Tatti / Moscow State University)... Read more about Thursday Seminar: “Florence as New Jerusalem. The Rite of Lo Scoppio del Carro and the Regular Miracle of the Holy Fire in Jerusalem”

At first sight, readers of Franz Boas’ Primitive Art (1927) did not need to worry about theories.... Read more about Thursday Seminar: "Franz Boas’ Primitive Art between Morphology and Evolution Theory"

“Magical Realism” is an oxymoron coined by the German critic Franz Roh in 1925 to describe artworks that endowed realism with an uncanny effect. ... Read more about Thursday Seminar "Magic Realism in 1920s Italy and Quattrocento painting"

As if revisiting the religion’s primordial decision in favor of an exoteric, rather than esoteric, identity, the Italian painters of the fourteenth century populated Christian subjects and scenes with semi-outsiders:... Read more about Thursday Seminar "Margin and center in early Renaissance painting"

Giovanni di Bicci de’ Medici (c.1360-1429) – one of the richest and most eminent Florentines of his day – was buried in the Old Sacristy of San Lorenzo in Florence. But why did he choose a sacristy as his burial place?

We owe the Italian Renaissance picture more than the ideal human figure.  Experiments in figuration, whether they involve contour or sfumato, cannot exist without ground, here understood in three senses of the word: first, the preparation of a given support (such as a gesso ground on panel); second, the plane on which figures stand; and third, the field in and against which figuration occurs.... Read more about Thursday Seminar “Point, Ground, Figure, Field”

The transatlantic slave trade and the plantation complex are well-studied subjects, but scholars have rightly pointed out that we do not clearly understand the earliest phases, at the beginning of the sixteenth century. ... Read more about Thursday Seminar “Economic Institutions and Networks between the Mediterranean and the Atlantic. The Genoese Trading Diaspora (ca. 1450-1530)”

In 1982, a priest working on the records from the Galileo trial in the archive of the Roman Inquisition accidentally landed upon a file devoted to Vittoria Colonna, the Marchesa of Pescara.... Read more about Thursday Seminar “In the Archives of the Inquisition: The Case of Vittoria Colonna”

Asian and American (and sometimes African) toponyms, peoples, terrain, flora, fauna, atmospheres, and cultural productions mingled in the European consciousness long after Columbus, and even as the Pacific was being regularly traversed by European galleons.... Read more about Thursday Seminar “The Amerasian extension in the European imaginary, 1492-1700”

Renaissance doctors, philosophers, theologians, poets, and musicians understood that all sensible experiences of time and space were linked, to a certain extent, to the cosmic order by a universal harmony, an astral-magic rhythm that influenced everything from the rotation of the planets down to the musicality of the pulse.... Read more about Thursday Seminar “Titian and the Skies of Tomorrow”

Boccaccio’s tale of Calandrino and the heliotrope is justly celebrated as a masterful reflection on art and illusion. In this seminar, Justin Steinberg will explore the political dimension of this reflection.... Read more about Thursday Seminar "The Artist and the Police: Decameron 8.3"