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2018 May 31

Thursday Seminar “Point, Ground, Figure, Field”



Gould Hall, Villa I Tatti

jjWe owe the Italian Renaissance picture more than the ideal human figure.  Experiments in figuration, whether they involve contour or sfumato, cannot exist without ground, here understood in three senses of the word: first, the preparation of a given support (such as a gesso ground on panel); second, the plane on which figures stand; and third, the field in and against which figuration occurs.... Read more about Thursday Seminar “Point, Ground, Figure, Field”