This interdisciplinary conference examines the circulation of music and musicians throughout the Mediterranean diaspora. It concentrates on music as a migratory frontrunner and privileges displacement as its critical lens with the specific aim of crystalizing new theoretical approaches to mobility.... Read more about Conference: Music in the Mediterranean Diaspora
In 1616, Monteverdi told Alessandro Striggio that he couldn’t imitate winds because they are not human. “Ariadne moved us because she was a woman and similarly Orpheus because he was a man.” But what if Orpheus was not a man driven by his own internal passions and creative instincts but instead was an automaton—an inanimate machine with spontaneous motion and sound creation.... Read more about Thursday Seminar: What if Orfeo was an Automaton?
