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Speaker: Carolina Mangone (I Tatti / Princeton University)
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Carolina Mangone is Associate Professor of Early Modern Art and Architecture at Princeton University. Her scholarship explores concepts and practices of imitating, copying, and faking; the materials and techniques of art across medial and professional boundaries; the cross-cultural and cross-linguistic traffic in art theoretical concepts; and the afterlives of artists in text and image. In Bernini’s Michelangelo (2020), she examined the contentiousness of canon formation in its early modern foundations by studying how Bernini’s emulation of Michelangelo’s oeuvre constituted a newly relevant theory of Roman baroque art. She also co-edited with Evonne Levy, Material Bernini (2016), exploring Bernini’s sculptural production on paper and in clay, marble, and bronze, from material and intermedial perspectives.
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