Conference Proceedings

The Anglo-Florentine Renaissance : Art for the Early Tudors
Sicca, Cinzia Maria, and Louis Alexander Waldman. 2012. The Anglo-Florentine Renaissance : Art for the Early Tudors. Vol. 22. New Haven: Yale Center for British Art and The Paul Mellon Centre for Studies in British Art :Distributed by Yale University Press, 22, x, 414 pages. Publisher's VersionAbstract
Introduction / Cinzia Maria Sicca and Louis A. Waldman -- Anglo-Florentine contacts in the age of Henry VIII: political and social contexts / Steven Gunn -- Pietro Torrigiani and his sculpture in Henrician England : sources and influences / Alan Phipps Darr -- Benedetto da Rovezzano in England and after : new research on the artist, his collaborators, and his family / Louis A. Waldman -- Benedetto da Rovezzano and the Altoviti in Florence : hypotheses and new interpretations for the church of Santi Apostoli / Benedetta Matucci -- Benedetto da Rovezzano in England : new light on the Cardinal Wolsey-Henry VIII tomb / Francesco Caglioti -- "142 life-size figures-- with the King on horseback" : Baccio Bandinelli's mausoleum for Henry VIII / Giancarlo Gentilini and Tommaso Mozzati -- From "Defender of the faith" to "Suppressor of the Pope" : visualizing the relationship of Henry VIII to the Medici Popes Leo X and Clement VII / Sheryl E. Reiss -- Craftsmen and courtiers : Italian military expertise at the court of Henry VIII / Maurice Howard -- Holbein, Antonio Toto, and the market for Italian painting in early Tudor England / Susan Foister -- Nonsuch, Henry VIII's Mirror for a prince : sources and interpretation / Martin Biddle -- Giorgio Vasari and the progress of Italian art in early sixteenth-century England / Cinzia Maria Sicca."Under the rule of Henry VII (r. 1485-1509) England became a powerful nation. The Tudor court sought to express its worldliness and political clout through major artistic commissions, employing Florentine sculptors and painters to create lavish new interiors, suitable for entertaining foreign dignitaries, for its royal palaces. These were exemplified by Henry VIII's palace of Nonsuch, so named because no other palace could match its magnificence. Italian sculpture, painting, and tapestries of the day reflected an interest in portraiture and dynastic monuments, epitomized in England by the royal tomb projects created by Baccio Bandinelli, Benedetto da Rovezzano, and Pietro Torrigiani. Generously illustrated throughout, The Anglo-Florentine Renaissance traces the artistic links between Medicean Florence and Tudor England through essays by an international team of scholars and explores how the language of Florentine art effectively expressed England's political aspirations and rose to prominence as a new international courtly style"--Provided by publisher.
Ospedali e Città: Italia del Centro-Nord, XIII-XVI Secolo: Atti del Convegno Internazionale di Studio Tenuto Dall'Istituto degli Innocenti e Villa i Tatti, The Harvard University Center for Italian Renaissance Studies, Firenze 27-28 aprile 1995
Sandri, Lucia, and Allen J Grieco. 1997. Ospedali e Città: Italia del Centro-Nord, XIII-XVI Secolo: Atti del Convegno Internazionale di Studio Tenuto Dall'Istituto degli Innocenti e Villa i Tatti, The Harvard University Center for Italian Renaissance Studies, Firenze 27-28 aprile 1995. Medicina e storia. Firenze: Le Lettere, 283. Publisher's VersionAbstract
Splendide case di cura. Spedali, medicina ed assistenza a Firenze nel Trecento / John Henderson -- La specializzazione ospedaliera fiorentina : gli Innocenti e l'assistenza all'infanzia (XV-XVI secolo) / Lucia Sandri -- L'assistenza all'infanzia abbadonata a Venezi : i "fantolini" della pietade (1346-1548) / Casimira Grandi -- Per la storia delle istituzioni ospedaliere nelle città della Terraferma veneta nel Quattrocento / Gian Maria Varanini -- La gestione dell'Ospedale maggiore di Milano nel Quattrocento : un esempio di concentrazione ospedaliera / Giuliana Albini -- L'esempio di una "quasi-città" : gli ospedali di Monza e i loro rapporti con Milano (secoli XIII-XV) / Marina Gazzini -- Ospedali e bambini abbandonati a Bologna nel Rinascimento / Nicholas Terpstra -- Gli ospedali romani tra iniziative laicali e politica pontificia (secoli XIII-XV) / Anna Esposito -- Ospedali e città : bilancio di un convegno / Charles Marie de la Roncière.
Gaston, Robert W., and Louis A. Waldman, ed. In Press. “San Lorenzo: A Florentine Church”.Abstract

This comprehensive, interdisciplinary monograph will deal with many aspects of the San Lorenzo basilica, extending from its foundation as Florence’s palaeochristian cathedral to the modern era. Florence's Basilica di San Lorenzo, the city’s first cathedral and the center of liturgical patronage of the Medici and their grand ducal successors from the late Trecento until the nineteenth century, is one of the most frequently studied churches in Florence. Modern studies have tended, however, to focus on limited and specific aspects of the complex, and the lion’s share of research published since the nineteenth century deals with the period from Brunelleschi to Michelangelo, or from Cosimo il Vecchio to Cosimo I. The San Lorenzo project has already produced a conference, held at I Tatti on 27-30 May 2009, and a series of sessions at the 2010 annual meeting of the Renaissance Society of America. Energies are now focused on the monograph, with chapters that address a broad range of questions. These include the urban setting of the churches and the parish, San Lorenzo's relations with other ecclesiastical institutions, the individual buildings, the clergy, chapels and altars, the chapter's administration and financial structure, liturgical furnishings, music, liturgy, preaching, the demographics of parish life, and the annual or ephemeral festal practices on the site. Each chapter will offer an extensive exploration of its topic, wide-ranging in its historical scope and wherever possible dealing not merely with brief moments of history but with the longue durée. Each will include new research, the publication of relevant documents, and a careful critical assessment of the historiography.