This comprehensive, interdisciplinary collection illuminates many previously unexplored aspects of the Basilica of San Lorenzo’s history, extending from its Early Christian foundation to the modern era. Brunelleschi’s rebuilt Basilica, the center of liturgical patronage of the Medici and their grand-ducal successors until the nineteenth century, is today one of the most frequently studied churches in Florence. Modern research has tended, however, to focus on the remarkable art and architecture from ca. 1400–1600. In this wide-ranging collection, scholars investigate: the urban setting of the church and its parish; San Lorenzo’s relations with other ecclesiastical institutions; the genesis of individual major buildings of the complex and their decorations; the clergy, chapels and altars; the chapter’s administration and financial structure; lay and clerical patronage; devotional furnishings, music, illuminated liturgical manuscripts, and preaching; as well as the annual or ephemeral festal practices on the site. Each contribution offers a profound exploration of its topic, wide-ranging in its chronological scope. One encounters here fresh archival research, the publication of relevant documents, and critical assessments of the historiography. San Lorenzo is represented in this volume as a living Florentine institution, continually reshaped by complex historical forces.
Conference Proceedings
Bernard Berenson: Formation and Heritage. Villa I Tatti, 440. Publisher's Version
2014. Cosimo Bartoli (1503-1572): Atti del Convegno Internazionale: Mantova, 18-19 Novembre-Firenze, 20 Novembre 2009. Vol. n. 15. Firenze: L.S. Olschki, n. 15, xvii, 422 p. Publisher's Version
. 2011. Medici Women as Cultural Mediators, 1533-1743: Le Donne di Casa Medici e il Loro Ruolo di Mediatrici Culturali fra le Corti d'Europa. Vol. 35. Cinisello Balsamo (Milano): Silvana, 35, 347 p. Publisher's Version Abstract
2011. The Anglo-Florentine Renaissance : Art for the Early Tudors. Vol. 22. New Haven: Yale Center for British Art and The Paul Mellon Centre for Studies in British Art :Distributed by Yale University Press, 22, x, 414 pages. Publisher's Version Abstract
. 2012. Verrocchio and Late Quattrocento Italian Sculpture. Firenze: Le Lettere, 527. Publisher's Version
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. 2011.
Lorenzo il Magnifico e il Suo Mondo: Convegno Internazionale di Studi (Firenze, 9-13 1992). Vol. 19. Firenze: L.S. Olschki, 19, xvii, 470 p, [43] p. of plates. Publisher's Version
. 1994. Ospedali e Città: Italia del Centro-Nord, XIII-XVI Secolo: Atti del Convegno Internazionale di Studio Tenuto Dall'Istituto degli Innocenti e Villa i Tatti, The Harvard University Center for Italian Renaissance Studies, Firenze 27-28 aprile 1995. Medicina e storia. Firenze: Le Lettere, 283. Publisher's Version Abstract
. 1997. Approaching the Italian Renaissance Interior: Sources, Methodologies, Debates. Malden, MA: Blackwell, viii, 134 p. Publisher's Version
. 2007. Sandro Botticelli and Herbert Horne: New Research. Vol. v. 5. Florence: Syracuse University in Florence, v. 5, xvi, 284 p. Publisher's Version
. 2009. Le Monde Végétal (XIIe-XVIIe Siècles): Savoirs et Usages Sociaux. Essais et savoirs, 1158-5587. Saint-Denis: Presses Universitaires de Vincennes, 184 p. Publisher's Version
. 1993. Italian Altarpieces 1250-1550: Function and Design. Oxford: Clarendon Press Oxford, 296. Publisher's Version
. 1994. Studia Humanitatis : Essays in honor of Salvatore Camporeale. Baltimore: Johns Hopkins University Press, 326 p. Publisher's Version
. 2004. Leon Battista Alberti: Architetture e Committenti: Atti dei Convegni Internazionali del Comitato Nazionale VI Centenario della Nascita di Leon Battista Alberti. Vol. n. 12. Firenze: L.S. Olschki, n. 12, 2 v. (xi, 815 p.). Publisher's Version Abstract
. 2009.