I Tatti Renaissance Library

A definitive edition of Renaissance pastoral poems by two master poets, including works that inspired Raphael and Shakespeare.

Andrea Navagero (1483–1529) was among the principal poets of the Venetian Renaissance. Famous as the editor of classical texts for Aldus Manutius’s celebrated press, Navagero also pioneered the Renaissance pastoral epigram genre. Modeled on the pastoral collections of Theocritus and Vergil and the poems of the Greek Anthology, Navagero’s lusus pastorales conjure an idealized rural landscape of shepherds and farmers, hunters and lovers, nymphs, springs, sylvan retreats, and the mingling of the human and the divine. The artists Titian and Raphael took inspiration from his evocations of art and nature, and his verse was imitated by Ronsard, Du Bellay, and Shakespeare.

A groundbreaking edition of controversial theses proposed by the most famous philosopher of the Italian Renaissance.

Giovanni Pico della Mirandola (1463–1494), the most famous philosopher of the Italian Renaissance, had ambitions in line with his talents, especially in philosophical theology. His boldest venture urged Christians to save their souls with Jewish mysticism—Kabbalah—while also offering to debate anyone in Italy about his project. In 1486, he announced plans for a disputation in Rome on 900 theses, but Pope Innocent VIII quashed the event with an indictment for crimes against Christian orthodoxy.

The first complete English translation of a controversial Renaissance debate centering moral questions on power and leadership.

Poggio Bracciolini was a prominent scholar-official of the early Renaissance and a leading representative of Florentine humanism. He was employed as a secretary to seven popes and ended his career as Chancellor of the Republic of Florence. On Leaders and Tyrants contains texts, the majority by Poggio, relating to a controversy on the relative merits of the lives and deeds of Scipio Africanus and Julius Caesar. The debate addressed the nature of tyranny and military glory, as well as the qualities necessary for republican leaders, such as Stoic virtue, lawfulness, and good citizenship. Poggio’s primary opponent was the educator Guarino of Verona, a humanist in the service of the duke of Ferrara. The psychology of power, the demands placed on public servants, and the dividing line between leadership and tyranny are as topical today as they were when Poggio wrote. This volume contains a fresh edition of the Latin texts and the first complete translation of the controversy into English.

An innovative collection of comedic stories by the original “Renaissance man.”

Leon Battista Alberti (1404–1472) was among the most famous figures of the Italian Renaissance. His extraordinary range of abilities as a writer, architect, art theorist, and scientist made him the original model for the many-sided “Renaissance man.”

A collection of stories meant to be read while dining and drinking, the Dinner Pieces, or Intercenales, are one of Alberti’s most innovative and experimental works, mixing literary genres and styles of prose composition adapted from both Greek and Latin models. They cover a wide range of topics, from moral philosophy, politics, and religion to the arts, money-making, love and friendship, and the study of the humanities. The Dinner Pieces offer satiric commentary on the cultural illusions and moral myths of Alberti’s day. They cut through the absurdity of human existence with the blade of wit and laughter and constitute an important monument in the history of comic writing.

This English translation by David Marsh is based on the authoritative Latin text of Roberto Cardini, accompanied by ample notes.

An innovative collection of comedic stories by the original “Renaissance man.”

Leon Battista Alberti (1404–1472) was among the most famous figures of the Italian Renaissance. His extraordinary range of abilities as a writer, architect, art theorist, and scientist made him the original model for the many-sided “Renaissance man.”

A collection of stories meant to be read while dining and drinking, the Dinner Pieces, or Intercenales, are one of Alberti’s most innovative and experimental works, mixing literary genres and styles of prose composition adapted from both Greek and Latin models. They cover a wide range of topics, from moral philosophy, politics, and religion to the arts, money-making, love and friendship, and the study of the humanities. The Dinner Pieces offer satiric commentary on the cultural illusions and moral myths of Alberti’s day. They cut through the absurdity of human existence with the blade of wit and laughter and constitute an important monument in the history of comic writing.

This English translation by David Marsh is based on the authoritative Latin text of Roberto Cardini, accompanied by ample notes.

A fresh English translation of five Alberti works that illuminate new aspects of the literary aims and development of the first “Renaissance man.”