Villa I Tatti

Dempsey, Charles. 1977. Annibale Carracci and the Beginnings of Baroque Style. Glückstadt: J.J. Augustin. Publisher's Version

Butters, Suzanne B. 1996. The Triumph of Vulcan: Sculptors’ Tools, Porphyry, and the Prince in Ducal Florence. Florence: Leo S. Olschki. Publisher's Version

Busse, Anna Maria Berger, and Massimiliano Rossi, ed. 2009. Memory and Invention: Medieval and Renaissance Literature, Art and Music. Florence: Leo S. Olschki. Publisher's Version

Borsook, Eve, Fiorella Superbi Gioffredi, and Giovanni Pagliarulo, ed. 2000. Medieval Mosaics: Light, Color, Materials. Milan, Silvana. Publisher's Version

Borsook, Eve, and Fiorella Superbi Gioffredi, ed. 1986. Tecnica e stile: esempi di pittura murale del Rinascimento italiano. Milan, Silvana. Publisher's Version

Bertelli, Sergio, Nicolai Rubinstein, and Craig Hugh Smyth, ed. 1979. Florence and Venice: Comparisons and Relations. Florence, La Nuova Italia. Publisher's Version

Bertelli, Sergio, and Gloria Ramakus, ed. 1978. Essays Presented to Myron P. Gilmore. Florence, La Nuova Italia. Publisher's Version

Israëls, Machtelt, and Louis A Waldman, ed. 2013. Renaissance Studies in Honor of Joseph Connors. Publisher's Version

Hankins, James, and Fabrizio Meroi, ed. 2013. The Rebirth of Platonic Theology. Florence: Leo S. Olschki. Publisher's Version

Wolf, Gerhard, Joseph Connors, and Louis A Waldman, ed. 2012. Colors Between Two Worlds: The Florentine Codex of Bernardino de Sahagún. Florence: Villa I Tatti.

Augustin, JJ, and James Beck. 1978. Masaccio: The Documents. Locust Valley, N.Y: Harvard University Press. Publisher's Version