Lila Acheson Wallace - Reader’s Digest Publications Subsidy

Alfonso d'Este's Camerino, Mario Equicola, and the libidinal seasons : Proemium. The libido in winter : Bellini's (and Titian's) Feast of the gods -- The libido in springtime : Titian's Bacchus and Ariadne -- The libido in summer : Titian's Bacchanal of the Andrians -- The libido in autumn : Titian's Feast of Venus -- Interpreting the Camerino : Titian's bacchanal as procreative pedagogy -- Colonna's Poliphilus' : The science and season of sexual performance : Proemium. Duke Gibaldo's dysfunction : Poliphilus and the diagnosis of love -- Poliphilus's nightmare and erotic magic : an excursus on the bewitching of the male genitalia -- Poliphilus's wet dream -- A Venus in the bedroom -- Coloring the roses : Colonna, Titian, and the "third Venus" -- A sacred/profane love : the Dodonian font and Poliphilus's wedding.

The piazza -- The palace. The Medici family ; Palazzo Pitti ; Don Giovanni dei Medici ; Benedetto Blanis at court -- The ghetto. Benedetto at home ; The Blanis family ; The creation of the ghetto ; Segregation, conversation, and confusion ; Ghetto government ; Benedetto's neighbours -- The synagogue. The synagogue as it was ; On the bench ; Men of authority ; Quarrels and dissension ; Italians and Levantines -- Memory and survival. The Jewish year ; Home and family ; Observance ; Justice and commandments -- The market. Shopping ; Market and ghetto ; Blanis and sons ; Stolen goods ; Scrocchi Barocchi ; Rich Jews -- Knowledge and power. Books ; Tree of Kabbalah ; Medicean planets ; Silver, gold, and grappa ; The fish pond -- Games of chance. Porta al prato ; Risky business ; Jew mad Christian -- The mirror of truth. On the road ; Venice ; The mirror of truth ; At home with Livia and Don Giovanni ; Fire at the fair ; Florence -- The magic circle. Fellow travellers ; The late Cosimo Ridolfi ; The workshop ; The apprentice -- Curious and forbidden books. Passover and Easter ; Days of scruples ; Holy cross ; Bad Jew ; Business as usual (I) ; Divine favours ; Jews and converts ; Business as usual (II) -- Prison. Misery and woe ; Beginning of the end ; Cosmic battle ; Out of sight and out of mind -- Habeas Corpus?

Rapt attention -- Aural collecting -- Proper listening -- Noble and manly understanding -- Envoy : from gusto to goût.

Antiquity as example : Rome in the time of Petrarch and Cola di Rienzo -- The poetics of the collection : Cardinal Prospero Colonna's "Gardens of Maecenas" -- Fictive genealogies and ancestral collections in fifteenth-century Rome -- The virtues of the papal collector : Paul II and Sixtus IV -- Pomponio Leto and the academic garden -- The era of collecting, 1480-1527 -- Epilogue: the sack of Rome and the hanging garden of Cardinal Andrea della Valle -- Catalogue of the collections in Roman houses and vigne before 1527.

Changing times. Protestants and Catholics in dialogue on images -- The dilemma of naturalism -- Interpreting and narrating the sacred image -- Michelangelo's Last judgment and the failure of the sacred image at midcentury -- The decree and the didactic solution -- The affective response to Trent. Titian : his trip to Rome and after -- Jacopo Tintoretto : sacred narrative and theater -- Federico Barocci : from here to ecstasy -- El Greco : Italy transported to Spain -- Caravaggio : secularizing the sacred, sanctifying the secular -- Conclusion -- Appendix. Decree of the twenty-fifth session of the Council of Trent.

Drawing, memory and invention -- Architecture, education, and the antique -- The figure and the frame -- Architecture as subject."In this engaging and handsome book, Cammy Brothers takes an unusual approach to Michelangelo's architectural designs, arguing that they are best understood in terms of his experience as a painter and sculptor. Unlike previous studies, which have focused on the built projects and considered the drawings only insofar as they illuminate those buildings, this book analyses his designs as an independent source of insight into the mechanisms of Michelangelo's imagination. Brothers gives equal weight to the unbuilt designs, and suggests that some of Michelangelo's most radical ideas remained on paper." "Brothers explores the idea of drawing as a mode of thinking, using its evidence to reconstruct the process by which Michelangelo arrived at new ideas. By turning the flexibility and fluidity of his figurative drawing methods to the subject of architecture, Michelangelo demonstrated how it could match the expressive possibilities of painting and sculpture."--Jacket.